Linggo, Setyembre 21, 2008

"There's a time for this song, there's a time for this song.."

Grey Street (*the song is in my Dave Matthews album)

Oh look at how she listens
She says nothing of what she thinks
She just goes stumbling through her memories
Staring out on to Grey Street

She thinks, hey, 
How did I come to this?
I dream myself a thousand times around the world,
But I can’t get out of this place

There’s a loneliness inside her
And she’d do anything to fill it in
But all the colors mix together - to grey
And it breaks her heart

How she wishes it was different
She prays to God most every night
And though she swears it doesn’t listen
There’s still a hope in her it might

She says, I pray
But they fall on deaf ears,
Am I supposed to take it on myself?
To get out of this place

There’s an emptiness inside her
And she’d do anything to fill it in
And though it’s red blood bleeding from her now
It feels like cold blue ice in her heart
When all the colors mix together - to grey
And it breaks her heart

There’s a stranger speaks outside her door
Says take what you can from your dreams
Make them as real as anything
It’d take the work out of the courage

But she says, please
There’s a crazy man that’s creeping outside my door,
I live on the corner of Grey Street 
And the end of the world

There’s an emptiness inside her
And she’d do anything to fill it in
And though it’s red blood bleeding from her now
It’s more like cold blue ice in her heart
She feels like kicking out all the windows 
And setting fire to this life
She could change everything about her
Using colors bold and bright 
But all the colors mix together - to grey
And it breaks her heart
It breaks her heart
To grey

How do you convince yourself of otherwise? There are depths which we avoid to explore, and we choose to live with terror that it's just behind the curve, and there's a tiny tiny chance that keeps us from falling...and while we're at it, we still have to look at eyes, ours and of others, thinking, thinking what they could be thinking, searching, and again, how do you convince yourself of otherwise? 

first, one should attempt to classify. hehe.

Linggo, Setyembre 14, 2008

Woman, anyone?

A few paragraphs from The Second Sex (Intro: Woman as Other) by Simon de Beauvoir

FOR a long time I have hesitated to write a book on woman. The subject is irritating, especially to women; and it is not new. Enough ink has been spilled in quarrelling over feminism, and perhaps we should say no more about it. It is still talked about, however, for the voluminous nonsense uttered during the last century seems to have done little to illuminate the problem. After all, is there a problem? And if so, what is it? Are there women, really? Most assuredly the theory of the eternal feminine still has its adherents who will whisper in your ear: ‘Even in Russia women still are women’; and other erudite persons – sometimes the very same – say with a sigh: ‘Woman is losing her way, woman is lost.’ One wonders if women still exist, if they will always exist, whether or not it is desirable that they should, what place they occupy in this world, what their place should be. ‘What has become of women?’ was asked recently in an ephemeral magazine.

But first we must ask: what is a woman? ‘Tota mulier in utero’, says one, ‘woman is a womb’. But in speaking of certain women, connoisseurs declare that they are not women, although they are equipped with a uterus like the rest. All agree in recognising the fact that females exist in the human species; today as always they make up about one half of humanity. And yet we are told that femininity is in danger; we are exhorted to be women, remain women, become women. It would appear, then, that every female human being is not necessarily a woman; to be so considered she must share in that mysterious and threatened reality known as femininity. Is this attribute something secreted by the ovaries? Or is it a Platonic essence, a product of the philosophic imagination? Is a rustling petticoat enough to bring it down to earth? Although some women try zealously to incarnate this essence, it is hardly patentable. It is frequently described in vague and dazzling terms that seem to have been borrowed from the vocabulary of the seers, and indeed in the times of St Thomas it was considered an essence as certainly defined as the somniferous virtue of the poppy

But conceptualism has lost ground. The biological and social sciences no longer admit the existence of unchangeably fixed entities that determine given characteristics, such as those ascribed to woman, the Jew, or the Negro. Science regards any characteristic as a reaction dependent in part upon a situation. If today femininity no longer exists, then it never existed. But does the word woman, then, have no specific content? This is stoutly affirmed by those who hold to the philosophy of the enlightenment, of rationalism, of nominalism; women, to them, are merely the human beings arbitrarily designated by the word woman. Many American women particularly are prepared to think that there is no longer any place for woman as such; if a backward individual still takes herself for a woman, her friends advise her to be psychoanalysed and thus get rid of this obsession. In regard to a work, Modern Woman: The Lost Sex, which in other respects has its irritating features, Dorothy Parker has written: ‘I cannot be just to books which treat of woman as woman ... My idea is that all of us, men as well as women, should be regarded as human beings.’ But nominalism is a rather inadequate doctrine, and the antifeminists have had no trouble in showing that women simply are not men. Surely woman is, like man, a human being; but such a declaration is abstract. The fact is that every concrete human being is always a singular, separate individual. To decline to accept such notions as the eternal feminine, the black soul, the Jewish character, is not to deny that Jews, Negroes, women exist today – this denial does not represent a liberation for those concerned, but rather a flight from reality. Some years ago a well-known woman writer refused to permit her portrait to appear in a series of photographs especially devoted to women writers; she wished to be counted among the men. But in order to gain this privilege she made use of her husband’s influence! Women who assert that they are men lay claim none the less to masculine consideration and respect. I recall also a young Trotskyite standing on a platform at a boisterous meeting and getting ready to use her fists, in spite of her evident fragility. She was denying her feminine weakness; but it was for love of a militant male whose equal she wished to be. The attitude of defiance of many American women proves that they are haunted by a sense of their femininity. In truth, to go for a walk with one’s eyes open is enough to demonstrate that humanity is divided into two classes of individuals whose clothes, faces, bodies, smiles, gaits, interests, and occupations are manifestly different. Perhaps these differences are superficial, perhaps they are destined to disappear. What is certain is that they do most obviously exist.

If her functioning as a female is not enough to define woman, if we decline also to explain her through ‘the eternal feminine’, and if nevertheless we admit, provisionally, that women do exist, then we must face the question “what is a woman”?

To state the question is, to me, to suggest, at once, a preliminary answer. The fact that I ask it is in itself significant. A man would never set out to write a book on the peculiar situation of the human male. But if I wish to define myself, I must first of all say: ‘I am a woman’; on this truth must be based all further discussion. A man never begins by presenting himself as an individual of a certain sex; it goes without saying that he is a man. The terms masculine and feminine are used symmetrically only as a matter of form, as on legal papers. In actuality the relation of the two sexes is not quite like that of two electrical poles, for man represents both the positive and the neutral, as is indicated by the common use of man to designate human beings in general; whereas woman represents only the negative, defined by limiting criteria, without reciprocity. In the midst of an abstract discussion it is vexing to hear a man say: ‘You think thus and so because you are a woman’; but I know that my only defence is to reply: ‘I think thus and so because it is true,’ thereby removing my subjective self from the argument. It would be out of the question to reply: ‘And you think the contrary because you are a man’, for it is understood that the fact of being a man is no peculiarity. A man is in the right in being a man; it is the woman who is in the wrong. It amounts to this: just as for the ancients there was an absolute vertical with reference to which the oblique was defined, so there is an absolute human type, the masculine. Woman has ovaries, a uterus: these peculiarities imprison her in her subjectivity, circumscribe her within the limits of her own nature. It is often said that she thinks with her glands. Man superbly ignores the fact that his anatomy also includes glands, such as the testicles, and that they secrete hormones. He thinks of his body as a direct and normal connection with the world, which he believes he apprehends objectively, whereas he regards the body of woman as a hindrance, a prison, weighed down by everything peculiar to it. ‘The female is a female by virtue of a certain lack of qualities,’ said Aristotle; ‘we should regard the female nature as afflicted with a natural defectiveness.’ And St Thomas for his part pronounced woman to be an ‘imperfect man’, an ‘incidental’ being. This is symbolised in Genesis where Eve is depicted as made from what Bossuet called ‘a supernumerary bone’ of Adam.

Thus humanity is male and man defines woman not in herself but as relative to him; she is not regarded as an autonomous being. Michelet writes: ‘Woman, the relative being ...’ And Benda is most positive in his Rapport d’Uriel: ‘The body of man makes sense in itself quite apart from that of woman, whereas the latter seems wanting in significance by itself ... Man can think of himself without woman. She cannot think of herself without man.’ And she is simply what man decrees; thus she is called ‘the sex’, by which is meant that she appears essentially to the male as a sexual being. For him she is sex – absolute sex, no less. She is defined and differentiated with reference to man and not he with reference to her; she is the incidental, the inessential as opposed to the essential. He is the Subject, he is the Absolute – she is the Other.’



Linggo, Setyembre 7, 2008

Gravedigger by Dave Matthews Band















I also uploaded the song; listen to it! =)
Thanks to my sister for the photos!

LYRICS:

Cyrus Jones 1810 to 1913
Made his great granchildren believe
You could live to a hundred and three
A hundred and three is forever when you're just a little kid
So Cyrus Jones lived forever



Gravedigger
When you dig my grave
Could you make it shallow
So that I can feel the rain
Gravedigger

Muriel Stonewall
1903 to 1954
She lost both of her babies in the second great war
Now you should never have to watch
Your only children lowered in the ground
I mean you should never have to bury your own babies

Gravedigger
When you dig my grave
Could you make it shallow
So that I can feel the rain
Gravedigger

Ring around the rosey
Pocket full of posey
Ashes to ashes
We all fall down

Gravedigger
When you dig my grave
Could you make it shallow
So that I can feel the rain
Gravedigger

Little Mikey Carson 67 to 75
He rode his
Bike like the devil until the day he died
When he grows up he wants to be Mr. Vertigo on the flying trapeze
Ohhh, 1940 to 1992

Gravedigger
When you dig my grave
Could you make it shallow
So that I can feel the rain

Gravedigger
When you dig my grave
Could you make it shallow
So that I can feel the rain
Feel the rain
I can feel the rain
Gravedigger

Huwebes, Setyembre 4, 2008

La Revolucion Filipina

Play Dates :

September 15, 2008 - September 21, 2008 (pm and evening shows)


Location :

Tanghalang Nicanor Abelardo (CCP Main Theater)

Ryan Cayabyab / Agnes Locsin(Ballet Philippines)
Agnes Locsin’s creative genius delves into the thoughts of Mabini which inspired the fierce daring of the “Katipuneros” and ignited the Philippine Revolution.
An innovative perspective of Philippine History dramatically expressed in the language of modern dance.

I saw a scene of this show in the Truth Festival and it was enchanting!! =))

You can call 5510221 (Ballet Philippines) for ticket prices or check out www.ticketworld.com.ph